Vol. 7 No. 2 (2012): Fall/Winter

ssue Cover text: B&L, Vol. 7, No. 2, 2012. Image: Lady Macbeth cradles Macbeth who sits naked in a bloody bathtub. Masked figures look on.

Edited by Christy Desmet and Sujata Iyengar

DOI: https://doi.org/10.18274/bl.v7i2

Published: 2023-05-04

Articles

"Is this the Noble Moor?" Re-viewing Othello on Screen through "Indian" (and Indian) Eyes

Alfredo Michel Modenessi
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Lear's Daughters, Adaptation, and the Calculation of Worth

Stephannie S. Gearhart
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Music as Facing-Page Translation in Baz Luhrmann's Romeo + Juliet

Pamela Swanigan
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Shakespeare and African American Poetics in Association with the Langston Hughes Review Introduction

Sujata Iyengar
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Victim and Villain Shylock in the African American Imagination

Adam Meyer
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"My Mother's Fussing Soliloquies" Toni Morrison's The Bluest Eye and Shakespeare

Chris Roark
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Site, Space, and Intimacy: Sleep No More's Immersive Intertext Introduction

Matt Kozusko
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Fractured Realities A Receptive Review of Punchdrunk's Sleep No More

Sivan Grunfeld
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The Murder of a Tale

Pamela J. Rader
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Touching the Spectator Intimacy, Immersion, and the Theater of the Velvet Rope

Colette Gordon
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Crossing the Line Liminality and Lies in Sleep No More

J. D. Oxblood
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Punchdrunk's Sleep No More Masks, Unmaskings, One-on-Ones

Thomas Cartelli
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Last Night I Dreamt I Went to Sleep No More Again Intertextuality and Indeterminacy at Punchdrunk's McKittrick Hotel

Alice Dailey
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What's Missing in Sleep No More

Sophia Richardson, Lauren Shohet
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Tracking the Scottish Play The Sounds of Sleep No More

Glenn Ricci
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Appropriations in Performance Reviews

Callie Kimball's The Rape of Lucrece (2007) A Woman's Creative Response to Shakespeare's Poem

Krystyna Kujawinska Courtney
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