Crossing the Line
Liminality and Lies in Sleep No More
Keywords:
Macbeth, Performance Studies, LiminalityAbstract
Focusing on the author's experience in "the hut" during a New York performance of Sleep No More, this essay discusses the way in which boundaries are crossed, not only those distinguishing Georg Büchner's Woyzeck from Shakespeare's Macbeth and the Tom Waits version of "The Children's Story," but also those separating performer and audience.