Still Crazy, After All These Years
Ophelia vs. Clementine
Abstract
Ingeniously collapsing Ophelia's narrative into that of the subject of the ballad "My Darling Clementine," Quinnopolis vs. Hamlet depicts a Danish court in which the female characters are mutually destructive tools. Polonius emerges as a misogynistic director of his ingénue daughter, while Gertrude is literally a prop in this production; her main function is to point out, punctuate, and report on the collateral damage suffered by Ophelia as Hamlet falls headlong into vengeful madness.
Published
2006-05-01
Issue
Section
Appropriations in Performance Reviews