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Vol. 15 No. 2 (2024): Spring 2024
View Vol. 15 No. 2 (2024): Spring 2024
DOI: https://doi.org/10.18274/bl.v15i2
Published: 2024-04-01

Articles

  • 'The Tempest' Transformed: John Fletcher and Philip Massinger's 'The Sea Voyage'

    Virginia Vaughan
    DOI: https://doi.org/10.18274/bl.v15i2.379

  • Censorship, Artistic Freedom, and Shakespeare Restored Reimagining Ing K.'s Censor Must Die as a Thai Hamlet

    Joshua Kim
    DOI: https://doi.org/10.18274/bl.v15i2.345

  • Performing Race: Interrogating Gareth Hinds’ Graphic Novel Adaptation of Shakespeare’s Romeo & Juliet

    J. Katherine Burton
    DOI: https://doi.org/10.18274/bl.v15i2.312

  • Brevity is the Soul of Fic Microfiction, Microfic, and Shakespearean Abridgement in Online Fan Fiction

    Johnathan Pope
    DOI: https://doi.org/10.18274/bl.v15i2.368

  • Adapting Whiteness Katherine of Aragon in Shakespeare and Fletcher’s All is True and Starz’s The Spanish Princess

    Zainab Cheema
    DOI: https://doi.org/10.18274/bl.v15i2.313

Appropriations in Performance Reviews

Book Reviews

  • Review: Fictional Shakespeares and Portraits of Genius

    Edel Semple
    DOI: https://doi.org/10.18274/bl.v15i2.380

  • Reviews: Lockdown Shakespeare and Viral Shakespeare

    Beth Sharrock
    DOI: https://doi.org/10.18274/bl.v15i2.385

  • Review: Shakespeare and Indian Cinemas: "Local Habitations."

    Jennifer Topale
    DOI: https://doi.org/10.18274/bl.v15i2.381

  • Review: Shakespeare's Serial Returns in Complex TV

    Sophia Richardson
    DOI: https://doi.org/10.18274/bl.v15i2.374

  • Review: Shakespearean Adaptation, Race and Memory in the New World

    Emily MacLeod
    DOI: https://doi.org/10.18274/bl.v15i2.373

Notes

  • 'Tis I, The Hulk

    Emer McHugh
    DOI: https://doi.org/10.18274/bl.v15i2.378
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