Vol. 14 No. 1 (2022): Fall 2022

View Vol. 14 No. 1 (2022): Fall 2022
DOI: https://doi.org/10.18274/bl.v14i1
Published: 2022-11-02

Articles

  • Prospera’s Whip and Other Props of Bardolatry: Toward an Intersectionalist Re-telling of The Tempest

    Celia Caputi
    DOI: https://doi.org/10.18274/bl.v14i1.304

  • John Austen’s Ophelia: A New Autonomy

    Luisa Moore
    DOI: https://doi.org/10.18274/bl.v14i1.305

  • “It is much that the Moor should be more than reason”: Portia, Race, and Nation in Adaptation

    Peter Lewis
    DOI: https://doi.org/10.18274/bl.v14i1.306

  • Bologna’s Bridegroom: Meat and Murder in Scotland, PA

    Dianne E. Berg
    DOI: https://doi.org/10.18274/bl.v14i1.307

  • Commonplace Shakespeare

    Christy Desmet
    DOI: https://doi.org/10.18274/bl.v14i1.308

Appropriations in Performance Reviews

  • Kaleidoscopic Witches: Streaming the Folger Theatre’s Macbeth

    Joseph Sullivan
    DOI: https://doi.org/10.18274/bl.v14i1.300

Digital Appropriations Reviews

  • Review of Play the Knave

    Matthew Harrison
    DOI: https://doi.org/10.18274/bl.v14i1.299

Book Reviews

  • Review of Shakespeare and Girls’ Studies

    Mikaela Warner
    DOI: https://doi.org/10.18274/bl.v14i1.301

Notes

  • “The Dog is me and I am myself”: Canine Thespians in Shakespaws

    Sheila Cavanagh
    DOI: https://doi.org/10.18274/bl.v14i1.302

  • Ambiguous Juliets, or Never Have I Ever…written nearly 2000 words about less than a second of Shakespeare on screen

    Sujata Iyengar
    DOI: https://doi.org/10.18274/bl.v14i1.303