Vol. 1 No. 1 (2005): Shakespeare in the American South

Issue cover with text: B&L Vol. 1, No. 1, 2005. Image: black and white etching of Shakespeare in western wear.

Special issue edited by Christy Desmet and Sujata Iyengar

DOI: https://doi.org/10.18274/bl.v1i1

Published: 2023-04-24

Articles

The Duke's Man Ellington, Shakespeare, and Jazz Adaptation

Terence Hawkes
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Minstrelsy, Jazz, Rap Shakespeare, African American Music, and Cultural Legitimation

Douglas Lanier
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Form and Character in Duke Ellington's and Billy Strayhorn's Such Sweet Thunder

Stephen M. Buhler
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Swingin' Shakespeare from Harlem to Broadway

Fran Teague
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Jazz, Shakespeare, and Hybridity A Script Excerpt from Swingin' the Dream

Alan Corrigan
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They Were Always Doing Shakespeare Antebellum Southern Actresses and Shakespearean Appropriation

Robin O. Warren
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The Old and New South Shakespeare in Margaret Mitchell's Gone With the Wind

Darlene Ciraulo
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Confession; or, the Blind Heart An Antebellum Othello

Christy Desmet
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A Way of Life Worth Preserving? Identity, Place, and Commerce in Big Business and the American South

Sharon O'Dair
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Country Matters Shakespeare and Music in the American South

Robert Sawyer
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The Sun Looking with a Southward Eye upon Us Shakespeare in South Florida

Kevin Crawford
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Bard in a Barn Iconography, Appropriation, and Shakespeare at Winedale

Matt Kozusko
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"NC Shakes" The North Carolina Shakespeare Festival

Bethany Sinnott
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Performing Shakespeare in the Old/New South or What Happens When Shakespeare Is Your Middle Name

Susan Willis
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Appropriations in Performance Reviews

Hamlet, Revenge of a King, by Herbert Newsome

Alan F. Hickman
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Ophelia, by Douglas Huff

Mark Z. Muggli
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Book Reviews

Shakespeare's Violated Bodies, by Paschale Aebischer

Rebecca DeHaas
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Spectacular Shakespeare, edited by Courtney Lehmann and Lisa S. Starks

Scott G. Reed
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